• Tag Archives free market
  • Tucker Carlson’s Critique of Market Capitalism Suffers from a Flawed Premise

    Much attention has been given to a cable show monologue from Tucker Carlson. There, Carlson argued that “market capitalism is a tool, like a staple gun or a toaster.” Implied is the idea that markets are simply meant for human use, something to be picked up but that can also be put aside, ignored, or directed.

    Since the monologue went viral, many critiques have been leveled, as well as defenses made. One such defense by Hillbilly Elegy author J.D. Vance declares the “market is not a Platonic deity, floating in the sky and imposing goodness and prosperity from on high.” In support of his critique, Vance cites various threats to our “social fabric” giving the opioid epidemic special attention. He concludes, referencing drug companies and other corporations, that “these entities are doing what the market demands, and in some ways, it’s hard to blame them. But shouldn’t our laws and policy make life harder for them?”

    But if we think of markets as a mere tool, we mistakenly believe we can discard them when convenient or fruitfully direct it toward our preferred ends. The “just a tool” mindset is prone to mistaken beliefs that making it harder is enough for good social outcomes. The tool metaphor suggests that the changes in job markets, culture, family structure, or even addiction are the manifestations of undisciplined free markets which can be corrected by“the man of system.”

    Tucker and Vance appear to defend an old concept, that markets, like a tool, can be employed as deliberately or as purposefully as a toaster, staple gun, or hammer, as the metaphor implies, to repair perceived harms. Yet this assumption misses key realities about the nature of markets, which makes them more than a tool.

    First, markets are expressions of human cooperation. They are a medium of human interaction that allows individuals and groups to coordinate—at times over long distances and even temporally—efforts and resources. In this sense, it is important to understand that even if labeled a tool, markets are a description of human interactions and processes that emerge to coordinate within the context of scarcity and constraints.

    The primary, but not exclusive, mechanism to coordinate human economic activity is price. As F.A. Hayek explains, the marvel of the price system signals the value of resources by tapping into vast networks of human knowledge. The price system acts as an information surrogate revealing the “particular circumstances of time and place.”

    This insight has been foolishly tested, most notably in communist regimes, which abolished prices and instead chose to stumble in the dark without this expression of human coordination. Rationing and poverty became the norm; increasing vulnerability to—and even creating—famines that claimed the lives of millions.

    This may not have been the greatest atrocity of these totalitarian regimes, but it was a dominant feature, and the consequences were disastrous. In socialist regimes, the absent price leaves no signal for production or distribution. Resources and capital are misallocated, directed according to the needs of the government, or what central planners perceive to be the best use of those resources without the wisdom of markets and market participants.

    The United States has forayed into this planning fallacy in the past, though on a smaller scale. The Great Depression was a time of economic experimentation, including policies meant to influence prices. This attitude of market control led to perverse programs, which, during a time of hunger and economic distress, would expend resources in nonsensical ways, such as President Franklin Roosevelt randomly designating the price of gold or paying farmers to not farm—a policy that persisted in some form into the current century.

    More recently, gasoline shortages in the late 1970s were at least partiallycaused by price controls. Since price was removed from the work of rationing and encouraging a growth in supply, the government had to step in with its own rationing scheme. Additionally, the cost of gasoline appeared in the form of time consumption as people desperate for gas waited in long lines at the pump. We have run this experiment many times of varying scales only to find attempts to control human coordination negatively impacted prosperity.

    One need not support a totalitarian regime to commit this error, only bear the mindset that markets are simply tools to be used to construct policy and society rather than expressions of individuals responding to their respective incentives and constraints to realize their preferences. This hints at a broader truth: free markets and prices are a key part of the social fabric.

    As Ludwig von Mises wrote:

    The pricing process is a social process. It is consummated by an interaction of all members of society. All collaborate and cooperate, each in the particular role he has chosen for himself in the framework of the division of labor.

    Attempts to manipulate markets toward particular policy goals often threaten the social fabric as they target a fundamentally social process.

    Not every free market arrangement is coordinated via the pricing mechanism. Economists such as Ronald Coase and Elenor Olstrom described alternate arrangements for coordinating efforts between individuals, such as firms or complex systems of self-governance, which often arise to solve problems where price has not materialized.

    Most important, though, is that these are part of the emergent order of free-market systems to serve members of society, subject to the churn of the market process. Allowing that process to take place avoids capture by the political system and strengthening social ties.

    Second, when decisions are not made by free markets, then political markets take control. Distribution of resources then becomes a question of the political process. Here, the currency is rarely as transparent as the price mechanism. The currency of the political economy is often money, but it is also votes, political favors, rents, power, and special legal treatment. The incentives shift from serving others through mutual exchange and coordinating resources and talents to maintaining political power and subjecting resources to political ends. Political markets are the natural outcome of turning free, or capitalist, markets over to the political process.

    This observation is clear: that markets are more than just a tool, but in some regards a reality of human behavior. Leaving a market where price and choice govern substitutes it for other forms of human coordination, each with their own currency. The political system seeks to maintain the status quo, entrenching incumbent market and political actors.

    Markets aren’t perfect, and we should not expect every outcome to meet such an ideal. People lose work, are injured or die, or fall into addiction. None of these are to be lightly dismissed, but the long-term trend is that each of these can be addressed through the market process. In the free market, we find the ability to deal with downsides as we see fit, in coordination with others through voluntary transactions made through mediums of human exchange. Alternatively, government action is often less responsive and monopolizes solutions to complex sociological problems.

    Giving government the monopoly on dealing with the downsides of choice hinders coordination in the market to ease the burdens on individuals, families, and societies from those very problems. It impedes the process of creative destruction and cooperation.

    This reveals a third reality of free markets that makes them more than tools. Markets lay out incentives for people to solve each other’s problems, constantly innovating, seeking to reduce transaction costs, and providing better outputs via the process of creative destruction. What we see often when governments interfere in market processes are the unintended and often worse consequences that spring forth from intervention. Interference in the free market is usually more costly than the perceived benefits.

    The costs and consequences of the political market are many. Redirecting resources reveals opportunity costs. Preventing people from their preferences raises the cost of enforcing laws and regulations against those preferences. People look to substitutes when prices rise, often turning to unsafe or even dangerous alternatives. The law of unintended consequences runs rampant in the world of economic intervention, and all of these costs must be accounted for when attempting to remove people from their preferences.

    Observing market behavior, in its entirety, allows for a comparative evaluation between free markets and their alternatives, the record is rather clear: free markets produce the greatest amount of prosperity, choice, and set of incentives.

    Perhaps we can treat the free market as a tool, as Carlson claims; much like a hand, foot, or eye can all be called tools. Yet, they are also more than just tools, as are markets. Embracing free markets allows us to pile “idea on idea,” as Deirdre McCloskey has written, and permit “market-tested betterment” to increase prosperity, as it has done.

    Markets are inescapable realities, part of social processes, and we stand able to choose which market process we employ—free markets or centralized political markets.

    Source: Tucker Carlson’s Critique of Market Capitalism Suffers from a Flawed Premise – Foundation for Economic Education




  • Why a Facelift Costs Less Than a Knee Replacement

    Between 1998 and 2017 prices for “Medical Care Services” in the US (as measured by the BLS’s CPI for Medical Care Services) more than doubled (+105.3 percent increase) while the CPI for “Hospital and Related Services” (data here) nearly tripled (+189.3 percent increase). Those increases in the costs of medical-related services compared to only a 50.3 percent increase in overall consumer prices over that period (BLS data here). On an annual basis, the costs of medical care services in the US have increased almost 4 percent per year since 1998 and the cost of hospital services increased annually by 5.8 percent.

    In contrast, overall inflation averaged only 2.2 percent annually over that period. The only consumer product or service that has increased more than medical care services and about the same as hospital costs over the last several decades is college tuition and fees, which have increased nearly 6 percent annually since 1998 for public universities.

    One of the reasons that the costs of medical care services in the US have increased more than twice as much as general consumer prices since 1998 is that a large and increasing share of medical costs are paid by third parties (private health insurance, Medicare, Medicaid, Department of Veterans Affairs, etc.) and only a small and shrinking percentage of health care costs are paid out-of-pocket by consumers. According to government data, almost half (47.6 percent) of health care expenditures in 1960 were paid by consumers out-of-pocket and by 2017 that share of expenditures has fallen to only 10.6 percent (see chart above).

    Spending Unknown Amounts of Unseen Money

    It’s no big surprise that overall health care costs have continued to rise over time as the share of third-party payments has risen to almost 90 percent and the out-of-pocket share approaches 10 percent. Consumers of health care have significantly reduced incentives to monitor prices and be cost-conscious buyers of medical and hospital services when they pay only about 10 percent themselves, and the incentives of medical care providers to hold costs down are greatly reduced knowing that their customers aren’t paying out of pocket and aren’t price sensitive.

    How would the market for medical services operate differently if prices were transparent and consumers were paying out-of-pocket for medical procedures in a competitive market? Well, we can look to the $16 billion US market for elective cosmetic surgery for some answers. In every year since 1997, the American Society for Aesthetic Plastic Surgery has issued an annual report on cosmetic procedures in the US (both surgical and nonsurgical) that includes the number of procedures, the average cost per procedure (starting in 1998), the total spending per procedure, and the age and gender distribution for each procedure. Here is a link to the press release for the 2017 report, and the full report is available here.

    The table above (click to enlarge) displays the 20 cosmetic procedures that were available in both 1998 and 2017, the average prices for those procedures in each year (in current dollars), the number of each of those procedures performed in those two years, and the percent increase in average price for each procedure between 1998 and 2017. The procedures are ranked by the number of cosmetic procedures last year. Here are some interesting findings from this year’s report and the table above:

    • For the top seven most popular cosmetic procedures displayed above for last year, none of them increased in price since 1998 more than the 50.3 percent increase in overall consumer prices, meaning that the real, inflation-adjusted price of all ten of those procedures has fallen over the last 19 years. Only four of the 20 cosmetic procedures (facelift, nose surgery, upper arm lift, and chin augmentation) increased more than the overall CPI, while the other 16 procedures increased less than overall consumer prices.
    • For three of the most popular nonsurgical procedures in 2017—botox injection, chemical peel and laser hair removal—the nominal prices have either fallen over the last 19 years, by nearly 1 percent for botox (from $424 to $420) and by more than 33 percent for chemical peel (from $821 to $545), or barely increased (1.1 percent increase in laser hair removal from $452 to $457). Note also that the demand for two of those procedures has increased dramatically—botox procedures increased by nearly ten times and laser hair removal by 63 percent.
    • The two most popular surgical cosmetic procedures last year were breast augmentation and liposuction, which have increased in current dollar prices by 25.5 percent and 28.0 percent respectively since 1998. Both of those average price increases were roughly half of the 50.3 percent increase in consumer prices over the last 19 years, meaning that the real, inflation-adjusted prices for breast augmentation and liposuction procedures have fallen since 1998—by 17 percent for breast augmentation and by 15 percent for liposuction.
    • The unweighted average price increase between 1998 and 2017 for the 20 cosmetic procedures displayed above was 34.2 percent, which is far below the 50.3 percent increase in consumer prices in general over the last 19 years. When the average procedure prices are weighted by the number of procedures performed last year, the average price increase since 1998 is only 12.6 percent. Of the 20 procedures above, 16 increased in price by less than overall inflation (and therefore decreased in real terms) since 1998, and only four increased in price by more than inflation (facelift, nose surgery, upper arm lift, and chin augmentation).
    • And most importantly, none of the 20 cosmetic procedures in the table above have increased in price by anywhere close to the 105.3 percent increase in the price of medical care services or the 189.3 percent increase in hospital services since 1998. The largest cosmetic procedure price increase since 1998 was the nearly 83 percent increase for chin augmentation, which is still far below the more than doubling of prices for medical services overall and nearly three-fold increase in the CPI for hospital services.
    • As in previous years, there was a huge gender imbalance for cosmetic procedures in 2017—women accounted for 91.3 percent of the 4.78 million total cosmetic procedures performed last year (92.3 percent of surgical procedures and 90.8 percent of non-surgical procedures.

    What Does This Mean?

    The competitive market for cosmetic procedures operates differently than the traditional market for health care in important and significant ways. Cosmetic procedures, unlike most medical services, are not usually covered by insurance. Patients paying 100 percent out-of-pocket for elective cosmetic procedures are cost-conscious and have strong incentives to shop around and compare prices at the dozens of competing providers in any large city.

    Providers operate in a very competitive market with transparent pricing and therefore have incentives to provide cosmetic procedures at competitive prices. Those providers are also less burdened and encumbered by the bureaucratic paperwork that is typically involved with the provision of most standard medical care with third-party payments.

    Because of the price transparency and market competition that characterizes the market for cosmetic procedures, the prices of most cosmetic procedures have fallen in real terms since 1998, and some non-surgical procedures have even fallen in nominal dollars before adjusting for price changes. In all cases, cosmetic procedures have increased in price by far less than the 105 percent increase in the price of medical care services between 1998 and 2017 and the 189 percent increase in hospital services. In summary, the market for cosmetic surgery operates very much like other competitive markets with the same expected results: falling real prices over time for most cosmetic procedures.

    If cosmetic procedures were covered by third-party payers like insurance companies, Medicare, and Medicaid, what would have happened to their prices over time? Basic economics tells us that those prices would have most likely risen at about the same 105.3 percent increase in the prices of medical services in general between 1998 and 2017.

    The main economic lesson here is that the greater the degree of market competition, price transparency, and out-of-pocket payments, the more constrained prices are, in health care or any other sector of the economy. Another important economic lesson is that the greater the degree of government intervention, opaque prices, and third-party payments, the less constrained prices are, in health care or any other sector of the economy. Some important lessons to consider as we attempt to reform national health care… once again.

    Reprinted from the American Enterprise Institute.


    Mark J. Perry

    Mark J. Perry is a scholar at the American Enterprise Institute and a professor of economics and finance at the University of Michigan’s Flint campus.

    This article was originally published on FEE.org. Read the original article.



  • The Market’s Glorious Resurrection of Mystery Science Theater 3000

    The Market’s Glorious Resurrection of Mystery Science Theater 3000

    Almost 20 years after being canceled, comedy series Mystery Science Theater 3000(MST3K) has returned.

    During its original run in the 90s, MST3K earned a cult following by doing what pop culture does best, namely, taking a mundane idea and elevating it to an art form.

    For MST3K, the idea was to build a show around a favorite pastime of movie fans: mocking cheesy movies. The concept seems simple today, but thirty years ago it was groundbreaking, all the more so because the cast of MST3K was really good at it. Yet despite winning many fans, the show was never a favorite of the networks that aired it, which were often unsatisfied with the ratings and therefore eager to control its creative direction.

    The revival of MST3K is a testament to the devotion of “MiSTies” around the world. But it’s more than that: it’s also a way to explain how markets work, and other economic science facts.

    Crowdfunding Puts Consumers in Control

    First, entrepreneurs can use markets to satisfy our most mysterious, scientific, and theatrical wants. In the case of MST3K, there wasn’t an obvious desire for a new season, and certainly not enough to attract the attention of the major networks. There seemed to be only a small, devoted, and mostly decentralized fan base that lacked a clear way to signal the value of a revival to investors.

    Yet there actually was enough support, but the producers needed the market to show it. That’s why they turned to crowdfunding to gauge interest in the project. Rather than waste time and money cold-calling networks looking for investments, creator Joel Hodgson and his team asked the fans to vote with their wallets.

     

    And so they did: the “Bring Back MST3K” Kickstarter campaign, launched in November 2015, and shattered many previous fundraising records, ultimately grossing over $5.7 million. Eighteen months later, the fans have season 11, this time via Netflix.

    Privately Funding the Arts

    Like Kickstarter, Netflix is closer to a free-market model than many of the oversized networks that dominate the industry. These privileged, cartelized companies are increasingly threatened by platforms like Netflix and Amazon Prime, which have largely succeeded by taking big risks on seemingly obscure or impossible projects.

    Second, the success of the MST3K Kickstarter hints at a deeper point: the arts can be privately funded. When people are convinced an artistic venture has merit, they’re happy to support it—and most art forms require far less investment than a TV show.

    Entrepreneurs excel at finding an audience, however niche or dispersed, and the arts are no exception. Crowdfunding can even provide public goods. But too often, calls for public funding of the arts are calls for art that doesn’t create value for anyone but the artists. Of course, public organizations do fund some art projects that appeal to large audiences, but to the extent that those audiences feel strongly about them, they should be willing to support them. There’s no need to force others to pay and then funnel the money through a public bureaucracy first.

    Third, using the market to fund the arts benefits creators and audiences, and hurts no one. People support MST3K because they love it. But people who don’t like the show aren’t obliged to pitch in, or even to pay attention, much less sacrifice to their money or viewing time to a show that doesn’t interest them. Contrast this to public programming such as PBS, which delivers one-size-fits-all content at taxpayer expense. That’s the beauty of the market: it doesn’t punish people for having different tastes. My enjoyment of a show like MST3K doesn’t stop others from enjoying art that they like. Publicly-funded art, on the other hand, always involves favoring some tastes at the expense of others.

    The Market is the Ultimate Judge

    Finally, the market is uncertain. Even successful entrepreneurs can’t be sure consumers will always want what they have to offer. And the fact is, MST3K’s return is not by itself a signal of success: we have to wait and see if fans continue to watch and support the show and if it can capture a new audience, to know whether their money was well-spent.

    The creative minds behind the show are bearing this uncertainty, and will profit or lose according to the strength of their artistic judgments—ultimately, the market makes it possible for entrepreneurs to create value, but it can’t guarantee it.

    The return of MST3K is a great example of the democracy of the market. And it’s only one of many shows to be resurrected after an untimely cancellation. These revivals are a way for fans to get more of what they love, but they’re also good for artists, who get another chance to create art the way they want.

    Welcome back, Mystery Science Theater 3000!


    Matthew McCaffrey

    Matthew McCaffrey is assistant professor of enterprise at the University of Manchester and editor of Libertarian Papers.

    This article was originally published on FEE.org. Read the original article.