Path: utzoo!attcan!utgpu!jarvis.csri.toronto.edu!mailrus!wuarchive!gem.mps.ohio-state.edu!ginosko!uunet!bloom-beacon!GAFFA.MIT.EDU!Love-Hounds-request From: Love-Hounds-request@GAFFA.MIT.EDU Newsgroups: rec.music.gaffa Subject: Re: Ulysses by James Joyce Message-ID: <26890@genrad.UUCP> Date: 3 Oct 89 03:46:44 GMT References: <8910022155.AA03234@das.llnl.gov> Sender: daemon@bloom-beacon.MIT.EDU Reply-To: Love-Hounds@GAFFA.MIT.EDU Organization: GenRad, Inc., Concord, Mass. Lines: 24 Approved: love-hounds@eddie.mit.edu Really-From: genrad!rbt@EDDIE.MIT.EDU (Robert B. Tufts) In article <8910022155.AA03234@das.llnl.gov> Love-Hounds@GAFFA.MIT.EDU writes: >Really-From: ed@das.llnl.gov (Edward Suranyi) > > >We're all agreed now that "The Sensual World" was based on, or >inspired by, Molly Bloom's speech at the end of _Ulysses_ by >James Joyce. I thought I'd post part of this, so people who >haven't read it (I assume this is the vast majority) can see >what it's like. ...... words deleted Thanks for posting it. I now recognize it as the object of a satirical piece done by the Firesign Theatre many years ago on one of their LP's. Can't remember which LP though. (a Guess would be the "Waiting for the Electrician" LP). Now I don't think I'll ever be able to listen to Kate's version without either laughing, or at least smiling! :-( -Bob T.