Xref: utzoo rec.audio:7294 sci.electronics:3330 Path: utzoo!attcan!uunet!sco!stewarte From: stewarte@sco.COM (Stewart Evans) Newsgroups: rec.audio,sci.electronics Subject: Re: Restoration Summary: caruso recordings Keywords: loudspeaker, bibliography Message-ID: <356@scolex> Date: 15 Jul 88 17:54:39 GMT References: <1309@kodak.UUCP> <6198@aw.sei.cmu.edu> <2585@obiwan.mips.COM> <430@cb.ecn.purdue.edu> <4944@husc6.harvard.edu> <2266@pt.cs.cmu Reply-To: stewarte@sco.COM (Stewart Evans) Organization: The Santa Cruz Operation, Inc. Lines: 21 In article <2266@pt.cs.cmu.edu> phd@speech1.cs.cmu.edu (Paul Dietz) writes: >Actually, this sort of thing is commonly done. I remember hearing a story >about some Caruso recordings that were restored by having a singer >imitate as closely as possible the original, and then using this to >generate optimal filters that were then applied to the original recordings. I have heard, admittedly second-hand, of another restoration project (or maybe the same one) which involved computer-modeling of the cone that Caruso sang into (which was apparently much like the horns used as "speakers"), and of its effects on the sound, then applying this transformation in reverse. Needless to say this was a research project, not a commercial endeavor... Anyone know any more about this research? -- "Stupidity is like hydrogen - it's a basic building block of the universe." -- Frank Zappa