Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2.fluke 9/24/84; site vax4.fluke.UUCP Path: utzoo!decvax!bellcore!petrus!sabre!zeta!epsilon!gamma!ulysses!mhuxr!mhuxt!houxm!vax135!cornell!uw-beaver!fluke!moriarty From: moriarty@fluke.UUCP (Jeff Meyer) Newsgroups: net.tv Subject: Two-month summary of reactions to Fall '85 TV lineup Message-ID: <2860@vax4.fluke.UUCP> Date: Tue, 29-Oct-85 01:15:33 EST Article-I.D.: vax4.2860 Posted: Tue Oct 29 01:15:33 1985 Date-Received: Wed, 30-Oct-85 00:34:40 EST Distribution: na Organization: John Fluke Mfg. Co., Inc., Everett, WA Lines: 137 Well, the magic two month milestone has passed, and I have to look back and ask myself, just how much television am I watching these days? With a video machine, it makes it much easier to avoid the problem of every having to be home for anything, but the constant fear of Couch Potato-dom often raises its ugly head. On the other hand, maybe I can pretend to be doing these reviews in the Best Interests of those of you who are wondering what's Good out there. Well, here are a few judgements, combined with a few comments, sorted into three categories. ABSOLUTELY WILL NOT MISS EXCEPT FOR NUCLEAR WAR. MAYBE. -Hill Street Blues. Last year was the best season they've had in three years, but this one has been just as good if not better. And this is a relief, after all the prophesizing of doom by various people about what would happen when Bocho was gone and they loosened up the format. Generally speaking, I don't find the show all that much different in format, except that it usually has a brief scene before the role call, which is a nice touch. The Furillo Commission thing has been riveting, Harry went out with style, Patsy could come back any time, and Ray is still present thanks to the commission. And the usual high style of acting is still very present. My only beefs were the incredibly gift-wrapped ending of Harry's killer, Leo's sudden departure (what about his ex-wife?), and Howard shows absolutely no development as a character in the last four years, except as a Warner Bros. Cartoon character. Still the best. -At The Movies. More for the content than for the critics, who seem to be showing emotional stress these days. ALWAYS TAPE THEM, AND ALMOST ALWAYS WATCH THEM. -St. Elsewhere. Not for everybody, but then they don't try to be. Still has the rather manic, weird nature of the last season, but seems to be on a slight (very slight) downward trend. However, William Daniels continues to do a very nice job as Dr. Craig, and the regulars do their normal competent job. Oh, yeah -- Fiskus and Billie Newman? Yoiks... -The Twilight Zone. I did not expect this to win in the Battle of the Network Anthologies, but it has, with consistently funny or well-thought out episodes. Stories like "The Healer", "The Wish Bank", "Nightcrawlers" and "Ye Gods" continue to remind me of the general level of quality brought by the old show (please to remember before flaming: the original had many great shows, but it had just as many mediocre ones, and it much of it's greatness rested on its high good/mediocre ratio COMBINED with a multi-year run. Have some patience...), and updated to make it palatable to modern viewers. And very important to me, the feeling that the writers are still *experimenting*, still stretching their imaginations somewhat. An amazing collection of people have contributed: William Friedken, Harlan Ellison, Melinda Dillon, the guy who did NIGHTMARE ON ELM STREET (his name escapes me...), the Grateful Dead, even Huey Lewis (on the harmonica!). Kudos to all involved with this very fine show; I can't speak for Rod Serling, but I'm pleased. -The Equalizer. Ok, ha-ha, I didn't think this was going to be any good, either. After reading the capsule description in the preview issue of TV guide, I wrote it off as another in the genre of "Waste-His-Ass" movies and TV (see my article in net.movies for more details). But... week after week, I have seen things which bring me back for more. 1) Good writing. 2) Good plots. 3) Good photography. 4) An immensely interesting, complex and three-dimensional lead character. Robert McCall (Edward Woodward) may be the first mass media character to come out in four years who actually fits the term "good man". Or maybe hero. No, not jump-and-dodge-machine-gun-bullets-and-save-the-family-of-migrant-workers super-hero dude you get on most shows. This appears to be a thinking person's hero -- he has the means and methods to accomplish good in a realistic environment (after many years in the CIA -- the fellow who played Gary Seven on Star Trek shows up occasionally as his old boss), but he seriously questions how he does things. He gets tired, he gets lonely, he screws up sometimes. He doubts whether he's right, or whether he's doing any good. But he doesn't let his personal speculations drag him into inactivity; and he helps people out as true charity. We seem to uncover another facet of his personality every episode, and I for one am going to continue watching this progression. Character development and three-dimensional writing are rare, especially when the show has such a potential to fall on it's face -- the networks would love a "Death Wish" show. But realistic violence nontheless, I think this is quite a program. -The Cosby Show. Look at it this way -- the man is FUNNY. He makes me laugh. He makes me laugh consistently. Good for him. I am particularly impressed that so many young kids are watching this. Can't hurt. -Mad Movies with the L.A. Express. A local syndicated show here in Seattle, with old movies (and home movies) dubbed ala WHAT'S UP TIGER LILLY. Very good so far (the Sherlock Holmes movie with Rathbone and Bruce had me in fits). Better than J-MEN FOREVER, even. YEAH, I'LL TAPE IT AND PROBABLY WATCH IT, ESPECIALLY AS I CAN FAST-FORWARD OVER THE COMMERCIALS... -Spenser. I've read the books, and while it still fails miserably in points (Frank Belson in particular), Urich is good, Brooks as Hawk is phenomenal, and the stories have been getting truer and better every week. Worth experimenting, I think. -Cheers & Night Court. Real hit-'n-miss stuff; Cheers has been variable and rather tapped out for the last two years, but still gets laughs on some occasions. Night Court has always ridden a very fine line between zany and cute and (ugh) "heartwarming", and it still trips quite a bit. The quality content of either of these can usually be determined in the first four minutes. -Amazing Stories & Alfred Hitchcock Presents. The former has been the most overhyped show of the season -- only this last Sunday's episode ("Mummy Daddy") has been good enough to praise (but that one WAS good, with wonderful horror movie cliches lampooned, nice photgraphy and a neat Spielburg parody by Brandon Pinchot). Hitchcock has been sometimes good, but usually predictable -- the last two episodes were figurable in the first 4 minutes, even though the former sported Barbera Hershey and Buck Henry. Variable is the keyword here. -Misfits of Science. About the same level of The Greatest American Hero -- some fun but variable. Definately the most ORIGINAL (maybe weirdest) opening credit sequence in years... I love it! Characterization is worked on in odd moments, all the male actors have three names, Basil Poulderis does the music (eh?) and why in the Hell does every episode open with someone making hamburgers on a grill? Are we having fun yet? -Miami Vice. Biggest letdown of the year. After an INCREDIBLY good opening movie, the show has been week after week of very thin stuff. Hey, I don't expect Vice to have good dialogue or plots -- that's not what it's famous for (though it occasionally surprises me). But the last few shows have lacked the pizazz usually found in the last season -- the photgraphy is lackluster and Jan Hammers music is not used to any effect at all. In short, it looks like a Miami Vice Imitator. Work on it, guys... That's it. That's all. "But Billy Joe, lynchin' ain't fer mummies. Lynchin's fer cattle rustlers." "Lynchin's fer EVERBODY!" Moriarty, aka Jeff Meyer ARPA: fluke!moriarty@uw-beaver.ARPA UUCP: {uw-beaver, sun, allegra, sb6, lbl-csam}!fluke!moriarty <*> DISCLAIMER: Do what you want with me, but leave my employers alone! <*>