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From: rwfi@ur-tut.UUCP (Robert Fink)
Newsgroups: net.music.classical
Subject: Re: Tone poems
Message-ID: <131@ur-tut.UUCP>
Date: Tue, 24-Sep-85 18:08:29 EDT
Article-I.D.: ur-tut.131
Posted: Tue Sep 24 18:08:29 1985
Date-Received: Sat, 28-Sep-85 07:24:32 EDT
References: <210@decwrl.UUCP>
Reply-To: rwfi@ur-tut.UUCP (Robert Fink)
Organization: Univ. of Rochester Computing Center
Lines: 9

In article <210@decwrl.UUCP> chabot@amber.DEC (All God's chillun got guns) writes:
>Well, it seems to me that anyone who's ever heard a donkey would be reminded
>of it by certain parts "Grand Canyon Suite".  But then, that's an auditory to
>auditory, not auditory to visual.
 
While we're on the subject of donkeys, let me bring up Mendelssohn (that's
right, Mendelssohn!), whose Overture to A Midsummer Night's Dream contains
the clearest "HEE-HAW"'s in all music.
        (listen for the falling ninths)