Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site ur-tut.UUCP Path: utzoo!watmath!clyde!cbosgd!ihnp4!qantel!dual!lll-crg!gymble!umcp-cs!seismo!rochester!ur-tut!rwfi From: rwfi@ur-tut.UUCP (Robert Fink) Newsgroups: net.music.classical Subject: Re: Tone poems Message-ID: <131@ur-tut.UUCP> Date: Tue, 24-Sep-85 18:08:29 EDT Article-I.D.: ur-tut.131 Posted: Tue Sep 24 18:08:29 1985 Date-Received: Sat, 28-Sep-85 07:24:32 EDT References: <210@decwrl.UUCP> Reply-To: rwfi@ur-tut.UUCP (Robert Fink) Organization: Univ. of Rochester Computing Center Lines: 9 In article <210@decwrl.UUCP> chabot@amber.DEC (All God's chillun got guns) writes: >Well, it seems to me that anyone who's ever heard a donkey would be reminded >of it by certain parts "Grand Canyon Suite". But then, that's an auditory to >auditory, not auditory to visual. While we're on the subject of donkeys, let me bring up Mendelssohn (that's right, Mendelssohn!), whose Overture to A Midsummer Night's Dream contains the clearest "HEE-HAW"'s in all music. (listen for the falling ninths)