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From: levy@ttrdc.UUCP (Daniel R. Levy)
Newsgroups: net.music.classical
Subject: Re: Music and nazism (really hello mudder hello fadder)
Message-ID: <364@ttrdc.UUCP>
Date: Wed, 14-Aug-85 02:11:45 EDT
Article-I.D.: ttrdc.364
Posted: Wed Aug 14 02:11:45 1985
Date-Received: Mon, 19-Aug-85 22:21:19 EDT
References: <1516@bbncca.ARPA> <452@olivee.UUCP> <4935@allegra.UUCP> <1043@ulysses.UUCP> <4938@allegra.UUCP>
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In article <4938@allegra.UUCP>, dep@allegra.UUCP (Dewayne Perry) writes:

>of the realm of music and giving hima nd his music another use.  (similar
>things happen to music in other contexts - one Schubert piece has ben forever
>ruined by Allen Sherman?s "hello mudder, hello fadder")
>

I always thought that parody was based on Ponchielli's "Dance of the Hours."
Schubert?!? (Maybe the middle movement, which does not sound quite like anything
in the Ponchielli piece, is Schubert's... can anyone name the original?)

BTW, another Sherman parody, "Here's to the Crabgrass," seems to be based on
an Old English Morris Dance... the reason I mention this is that the two
pieces (excerpts from the classical originals) appear near the beginning of
the John Thompson 2nd grade piano book and I sometimes wonder if Allan (or
someone in his family) was taking lessons out of this book when the tunes gave
him the idea....
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