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From: purtell@reed.UUCP (Lady Godiva)
Newsgroups: net.music.classical
Subject: Re: Music and nazism (really hello mudder hello fadder)
Message-ID: <1807@reed.UUCP>
Date: Sat, 17-Aug-85 20:42:48 EDT
Article-I.D.: reed.1807
Posted: Sat Aug 17 20:42:48 1985
Date-Received: Tue, 20-Aug-85 20:43:24 EDT
References: <1516@bbncca.ARPA> <452@olivee.UUCP> <4935@allegra.UUCP> <1043@ulysses.UUCP> <4938@allegra.UUCP> <364@ttrdc.UUCP>
Reply-To: purtell@reed.UUCP (Lady Godiva)
Organization: Reed College, Portland, Oregon
Lines: 23
Summary: 

In article <364@ttrdc.UUCP> levy@ttrdc.UUCP (Daniel R. Levy) writes:
>In article <4938@allegra.UUCP>, dep@allegra.UUCP (Dewayne Perry) writes:
>
>>of the realm of music and giving hima nd his music another use.  (similar
>>things happen to music in other contexts - one Schubert piece has ben forever
>>ruined by Allen Sherman?s "hello mudder, hello fadder")
>>
>
>I always thought that parody was based on Ponchielli's "Dance of the Hours."
>Schubert?!? (Maybe the middle movement, 
>which does not sound quite like anything
>in the Ponchielli piece, is Schubert's... can anyone name the original?)

    It is based on Ponchielli's "Dance of the Hours" which is also used
in the movie Fantasia for the ballet with the ostriches, hippoes, etc. I
couldn't tell you about the middle movement of the song though - I don't
remember it that well. 

	cheers -

	elizabeth g. purtell

	(Lady Godiva)