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Path: utzoo!linus!gatech!ut-sally!kelvin
From: kelvin@ut-sally.UUCP (Kelvin Thompson)
Newsgroups: net.movies
Subject: _Casablanca_  (spoiler)
Message-ID: <2645@ut-sally.UUCP>
Date: Sun, 11-Aug-85 19:14:43 EDT
Article-I.D.: ut-sally.2645
Posted: Sun Aug 11 19:14:43 1985
Date-Received: Tue, 13-Aug-85 03:13:56 EDT
Distribution: net
Organization: U. Texas CS Dept., Austin, Texas
Lines: 59


                              _Casablanca_
 
                           by Kelvin Thompson
 
 On its surface _Casablana_ is as sleek and stylish as anything else
 coming out of Hollywood these days, but at its heart it is very bad --
 the movie ultimately conveys a destructive message about the worth of
 people.
 
 Of course the _Miami_Vice_ and M-TV crowd that is accustomed to looking
 no deeper than surface gloss will find that _Casablanca_ has
 *everything*:  the movie takes place in both seedy and sumptuous sections
 of an exotic locale (Casablanca, Morocco); it is shot in the moody black
 and white that seems to be gaining popularity these days; its leading
 characters are all tough, cynical loners; it is replete with violence and
 kinky sex triangles; and it even has the requisite music video number.
 
 The first two tough, cynical loners the viewer meets are a saloon owner,
 Humphrey Bogart (_The_Return_of_Doctor_X_, _Two_Guys_from_Milwaukee_),
 and the local Chief of Police, Claude Rains (_The_Invisible_Man_,
 _The_Phantom_of_the_Opera_).  Predictably, the saloon keeper's old flame,
 Ingrid Bergman (_Dr_Jekyll_and_Mr_Hyde_), arrives with a new beau, Paul
 von Henreid (_Goodbye_Mr_Chips_).  Except that he is also her old beau --
 she was married to him when she and Bogart had an affair years before. 
 What's worse, von Henreid is in deep trouble with some Nazis and only
 Bogart can get him out.  Will the cynical Bogart help the goody-goody von
 Henreid?  Whom will Bergman sleep with next?  Will moviegoing hipsters
 pee in their pants with anticipation?
 
 Regrettably, beneath all its glitter and intrigue _Casablanca_ harbors
 some disgusting sentiments about minority groups.  It turns out that all
 the active participants in the story are Aryan WASP males -- all other
 characters are incapable of effecting any change in their environment or
 their lives.  Bogart has connections and money, Rains can arrest people, 
 von Henreid leads an anti-imperialist guerrilla movement.  Female and 
 minority characters, however, are portrayed as subservient and useless.  
 
 For example, when the WASP males discuss Bergman's worth, they refer only
 to her beauty and use as a courtesan.  She is never asked for her insight
 into a situation and she is never shown to have any useful skills
 (except, by implication, in bed).  Likewise, the only black in the cast,
 Wilson Dooley (_Free_For_All_), plays the stereotypical Negro Musician in
 Bogart's saloon.  He doesn't have a care in the world except that his
 piano is in tune and his boss happy.
 
 Furthermore, these stereotyped minorities are completely subservient to
 their white male masters.  When Bogart tells Dooley what musical
 selection to perform, the black acquiesces with a quick "yawsuh boss." 
 And throughout the movie Bogart directs virtually every one of Bergman's
 actions (even so far as telling her to get lost at the end), and she
 always humbly obeys.  The only free will these subjugated characters are
 allowed to show are an occasional sullen look from Dooley or tearful
 glance from Bergman.
 
 Perhaps it is appropriate that _Casablanca_ was filmed in black and
 white, for that is certainly the way it sees the various ethnicities of 
 humankind.