Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.3 alpha 4/15/85; site amdcad.UUCP Path: utzoo!linus!gatech!amdcad!linda From: linda@amdcad.UUCP (Linda Seltzer) Newsgroups: net.music.classical Subject: Re: Music and nazism Message-ID: <2451@amdcad.UUCP> Date: Thu, 8-Aug-85 15:55:39 EDT Article-I.D.: amdcad.2451 Posted: Thu Aug 8 15:55:39 1985 Date-Received: Sun, 11-Aug-85 05:18:01 EDT References: <1516@bbncca.ARPA> Organization: AMDCAD, Sunnyvale, CA Lines: 17 Summary: Why talk about Henze's father In article <1516@bbncca.ARPA>, rrizzo@bbncca.ARPA (Ron Rizzo) writes: > I'm compiling a list of composers, conductors, musicians & critics > who were nazis, nazi sympathizers, worked for the third reich or at > least had cordial relations with it. I'd appreciate any information. > > My list so far includes: > > Composers (& relatives): > Carl Orff > Richard Strauss > Hans Werner Henze's father > (What about Hans Pfitzner, the late-late Romantic opera composer?) Why do you identify Henze because of matters concerning his father? What does this mean about Henze? Do offspring have to have the same beliefs as their parents? (Look at author William Burroughs and his grandfather for an example).