Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: Notesfiles $Revision: 1.7.0.5 $; site ndm20 Path: utzoo!watmath!clyde!cbosgd!ihnp4!inuxc!pur-ee!uiucdcs!convex!ndm20!tp From: tp@ndm20 Newsgroups: net.music Subject: Re: "YES" or great concerts. Message-ID: <1000002@ndm20> Date: Wed, 10-Jul-85 11:45:00 EDT Article-I.D.: ndm20.1000002 Posted: Wed Jul 10 11:45:00 1985 Date-Received: Sat, 13-Jul-85 08:33:31 EDT References: <5457@cbscc.UUCP> Lines: 25 Nf-ID: #R:cbscc.UUCP:-545700:ndm20:1000002:000:1093 Nf-From: ndm20!tp Jul 10 10:45:00 1985 I like that never-existed lineup myself. My favorite is Relayer, but Bruford is better than White. However, I believe the classic lineup (Squire-Howe-Wakeman-Anderson- Bruford) WAS on both the Yes Album and Close to the edge. I like Moraz better though. I also recommend 'I' and 'Patrick Moraz' to those who like him. The record between those 2 (title escapes me) was disappointing. 'I' is a good illustration that good music can survive even a bad mix. (Moraz recorded about 5 times as many keyboard lines as he intended to use, wo he could pick and choose. When he joined yes, he had to let someone else mix the album, because he had to report for rehearsal. The engineer used ALL the keyboard tracks, drowning out a lot of the bass and percussion. Even so, it is a good album.) Moraz uses a 16-person Brazilian percussion section on his own albums, which is very interesting with all the synthesisers. Terry Poot Nathan D. Maier Consulting Engineers (214)739-4741 Usenet: ...!{allegra|ihnp4}!convex!smu!ndm20!tp CSNET: ndm20!tp@smu ARPA: ndm20!tp%smu@csnet-relay.ARPA