Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site teldata.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxl!houxm!houxz!vax135!cornell!uw-beaver!teltone!teldata!tac From: tac@teldata.UUCP () Newsgroups: net.music,net.music.classical Subject: Re: Question for jazz history buffs (influence on Impressionists) Message-ID: <377@teldata.UUCP> Date: Wed, 6-Jun-84 12:03:37 EDT Article-I.D.: teldata.377 Posted: Wed Jun 6 12:03:37 1984 Date-Received: Thu, 7-Jun-84 19:09:46 EDT References: <3822@tekecs.UUCP> Organization: Teltone Corp., Kirkland, WA Lines: 14 , (sop to the blank line eaters--consider it a religious sacrifice) It seems much more likely that they visited the corner barbershop where chords of all types were examined frequently. Not having an excessive knowledge of jazz I am not familiar with the "blue " chord, but there are many chords sung in barbershop harmony which have a "sad" feeling to them. From the (four part) Soapbox of Tom Condon {...!uw-beaver!teltone!teldata!tac} A Radical A Day Keeps The Government At Bay. And a song a day keeps the blues away!